GALLERY NEWS

In her work with Ann Korologos Gallery, Amy Lay distills the vastness of the Western landscape into moments of quiet tension and grace. Her pared-down compositions—where animals emerge through subtle line, restrained color, and open space—invite viewers into a more personal, interpretive experience. In this conversation, Lay reflects on intuition, memory, and the delicate balance between strength and softness that defines her contribution to Resonance.

Your paintings evoke quiet moments within vast Western spaces. What draws you to these contemplative scenes?

I want my paintings to leave space for the viewer to create their own emotion, leave space for a reaction if that makes sense.  What I love about animals and nature is the mystery of their world.  I like to use simple line, color and composition to create that initial introduction, then leave it up to the viewer to decide where it takes you.

You used to use photos as reference, but now you turn to memory. What was the result of this shift, and can you speak more about trusting yourself?

I use limited photos, but still some.  I try to never copy a photo or gesture completely or even closely.  For me, that would defeat the purpose of what my art and creativity is trying to convey.  I like imperfection.

How do color and atmosphere shape the emotional tone of your work?

Color is key in my work.  I have always used a very simple color palette, and the use of other elements like graphite and charcoal are linked partners with color.  I also use white space for atmosphere which is a link to my watercolor foundations and is essential in my work.

What story or feeling were you exploring in the piece you contributed to the  Resonance exhibition – Mystic and September Song?

Strength and softness within both these pieces are strong elements.  I think they are both feminine and evoke a sense of whimsy as well.

Are there women artists—historical or contemporary—who have influenced your work, or any advice you received that changed your trajectory?

My mother would draw, paint and sculpt as a form of play with me.  She also painted gorgeous pieces for our home and wrote short stories and poetry.  She’s honestly the most creative woman I have ever known.  She has been my female inspiration hands down.