“Grandma’s and Grandpa’s 12/96″
Copper Plate Etching, 8″ x 6″
$500

“Good Grazing T/P”
Copper Plate Etching, 8″ x 2″
$380

“New Song”
Etching, 3″ x 2″
$370

“Three Graces 6/24″
Copper Plate Etching, 3″ x 2″
$370

“Telemark Rock 80/96″
Etching, 8″ x 6″
$500

“The Good Life 56/96″
Copper Plate Etching, 6″ x 4″
$400

“The Matriarch 44/64″
Copper Plate Etching, 5″ x 4″
$380

“The Wall 70/96″
Copper Plate Etching, 7″ x 5″
$500

“Summer Sky 47/100″
Copper Plate Etching, 13″ x 10″
$700

“Off to Work 46/96″
Copper Plate Etching, 2″ x 2″
$370

“On The River 80/96″
Copper Plate Etching, 12″ x 9″
$700

“Good Spots 3/72″
Copper Plate Etching, 6″ x 4″
$400

“Corner on a Country Road 82/96″
Etching, 16″ x 15″
$500

“Back to the Drawing Board 13/18″
Etching, 8″ x 4″
$500

“Behind Blanca Peak”
Oil on Panel, 7″ x 10″
$1,300

“Goose Gabble 4/72″
Etching, 9″ x 12″
$700

“Sitting Pretty T/P”
Etching, 3″ x 2″
$400

“Sunday Best 39/92″
Etching, 5″ x 9″
$500

“Summer Cow Camp T/P”
Etching, 5″ x 9″
$500

“Touch of Silver 13/72″
Etching, 4″ x 5″
$400

“You Can Get Hooked A/P”
Etching, 10″ x 8″
$600

Artist: Joel Ostlind

ARTIST BIOGRAPHY: JOEL OSTLIND

Wyoming native Joel Ostlind is a self-taught artist who spent much of life herding cattle on horses throughout the American West. He holds degrees in Soil Science and Ranch Management, but always carried a sketchbook conveying his intimacy of the land with exquisite detail and authenticity.

In 1990 he signed up for a printmaking class at Sheridan College and built a home studio in the Big Horn Mountains. His drawings found new life as copper plate etchings depicting the full range of Western life – from Native American lodges to contemporary fly fisherman, telemark skiers and horses grazing under Wyoming skies.

Joel’s work has been featured in galleries, museums and exhibitions across the U.S. His prints were exhibited in a 2005 solo show at Bradford Brinton Memorial and Museum in Big Horn, Wyoming. He was the Featured artist at the 2002 Coors Western Art Show and the subject of a 2005 article in Southwest Art magazine.